Fig 1: Film poster |
Yet another film that displays Alfred Hitchcock's mastery
at suspense, “Psycho” (1960) shocked
audiences from its initial release, and is one of the most talked about films
of all time. Dustin Putman explains that “Psycho”
was: “Based on the novel by Robert Bloch and loosely inspired by cannibalistic
Wisconsin serial killer Ed Gein” (Putman, 1998). Including the inspiration of
cannibalism, it is almost guaranteed that psycho is indeed, a psychotic film. After
the release, a change in cinema was underway as “Psycho” paved the way for intense thrillers to come.
Fig 2: Marion |
Boasting one of the most famous scenes in cinema-the
shower scene (Fig 3), utter these words and most will recall the brutal stabbing and
death of Marion Crane (see Fig 2),
as well as the most famous violin and string suspense music that is included in
many other suspense films and spoofs, and is recognised almost by all. Notably,
such a successful film was created on a low budget : “His budget, $800,000, was cheap even by 1960 standards”(Roger
Ebert, 1998)showing that immortal movies don’t require an obscene amount of
money to become iconic in a way that “Psycho”
is.
Fig 3: The shower scene |
Returning to the year of 1960, the year of release, it’s
true it stunned, horrified and even captivated most of its viewers. Putman
explains that: "Psycho"
terrified audiences in 1960 and, surprisingly, still holds up today”(Putman,
1998). The feature also includes the first ever time seeing a toilet
flushing on screen as well as many other elements: “At the time of its release, "Psycho" was viewed in certain
circles as a rule-breaking, wildly explicit film, dealing in brutal murder,
risqué (for 1960) sexual situations, and themes involving Norman's Oedipal
complex and transvestitism” (Putman, 1998).
The film begins by showing Marion Crane making a rash decision to steal $40,000 from her boss, where she had trustfully worked for 10
years. She does the deed, but is overcome with guilt and makes a desperate
attempt to escape the area by trading in her car (that was followed by a police
officer, increasing her anxiety; in addition, the first time the audience are
presented to the officer, Hitchcock uses a clever technique of cutting to his
face, extremely close up and still, to create a sense of intimidation)
Fig 4: Sam and Lily |
Becoming drowsy from driving all day, Marion decides to
check in at the Bates Motel, meeting seemingly polite Norman Bates (Fig 5) who runs
over in surprise of a guest from the house across the road. In a fateful end,
Marion is stabbed to death while taking a shower by a female figure, who the
audience at this point assume is Normans mother. Norman returns to see the body
and is shocked that his mother could’ve done this, but becomes the “good son”
and meticulously cleans up all the blood and evidence, dumps Marion's body into
her car and pushes it into a swamp. By this point, the audience find themselves
almost wishing Norman got away with it: “Analyzing
our feelings, we realize we wanted that
car to sink, as much as Norman did” (Ebert, 1998).
Fig 5: Unique shot showing Normans throat and thus showing his nervousness |
During the third part of the film, it is clear that
Marion was not the main focus of it all – the viewers assume that after the
murder the film would near it’s end, but it interestingly continues on. A
private detective is sent to investigate her disappearance, but little to Lily (Fig 4)
(Marion's older sister) and Sam's (Fig 4) knowledge, the investigator is murdered within
Bates Motel too. Lila and Sam make the decision to pose as a couple and settle
in a room at the Motel, secretly looking for clues for Marion's disappearance.
Whilst Norman is distracted, Lily enters the house to look for Mother, and she
finds her in the basement, however Mother is nothing but a corpse. Lily turns
around and screams as she sees Normal dressed as his mother attempting to stab
her (Fig 6), but is stopped by Sam. Norman is sent to prison, and the audience hear his
thoughts in his mothers voice, and another investigator explains that Norman is
not a transvestite, but he channels two personalities, with no memory of what
the dominant personality does.
Fig 6: Norman as his mother |
A truly twisted but incredible ending to Psycho;
illustrating to the viewers that the Mother was alive, but it was Norman
speaking in her voice and indeed, talking to himself. Hitchcock displayed the
dangers of mental illness and the existence of multiple personalities (even
when first introduced to Norman, he explains to Marion that his mother is
mentally ill, so Hitchcock touches on the subject from the beginning).
Putman explains: “As
a groundbreaking horror film that paved the way for what was to follow,
"Psycho" is a richly modulated study in the darkest regions of a
person's psyche and a paragon of style, mood, and undeniable terror”
(Putman, 1998)
By the end, the viewers understand why the film has the
name it has.
Bibliography
Crowther, B. (1960) nytimes.com, (Accessed on 19/01/16) http://www.nytimes.com/movie/review?res=EE05E7DF173DE273BC4F52DFB066838B679EDE
Ebert, R. (1998) rogerbert.com (Accessed on 19/01/16) http://www.rogerebert.com/reviews/great-movie-psycho-1960
Putman, D. (1998) thefilmfile.com (Accessed on 19/01/16) http://www.thefilmfile.com/reviews/p/60_psycho.htm
S.D, mrqe.com (Accessed on 19/01/16) http://www.mrqe.com/movie_reviews/psycho-m100035732
Illustration List
Fig 1: "Film poster" (Accessed on 19/01/16) https://upload.wikimedia.org/wikipedia/en/b/b9/Psycho_%281960%29.jpg
Fig 2: "Marion" (Accessed on 19/01/16) http://www.jasonbovberg.com/wp-content/uploads/2013/05/Psycho3.jpg
Fig 3: "The shower scene" (Accessed on 19/01/16) http://static.guim.co.uk/sys-images/Arts/Arts_/Pictures/2010/3/29/1269881473433/1960-PSYCHO-001.jpg
Fig 4: "Sam and Lily" (Accessed on 19/01/16) http://cdn1-www.comingsoon.net/assets/uploads/1970/01/file_564371_psycho-shadow_0452012_123537.jpg
Fig 5: "Unique shot showing Normans throat and thus showing his nervousness" (Accessed on 19/01/16) https://moviesalainasneverseen.files.wordpress.com/2015/03/bird-neck-psycho.gif
Fig 6: "Norman as his mother" (Accessed on 19/01/16) https://sillyfunda.files.wordpress.com/2014/02/norman-crosdressed-as-his-mother-trying-to-kill-lila.jpg
Interesting review Manisha :)
ReplyDeleteJust have a quick proofread before you publish... your first quote has slipped through the 'italics' net.