Fig 1: Edward Scissorhands film poster. |
A charming concoction of comedy, romance and suspense, Tim
Burton’s “Edward Scissorhands” (1990)
can surely be seen as a grace to cinema.
This fantasy film is felt as a modern interpretation of James
Whale’s “Frankenstein” (1931) – a man
created from various pieces and parts that comes alive and loves his maker.
Fig 2: The pastel town |
Director Tim Burton is renowned for his artistic and wacky
production designs, which can also be seen in his other films such as “Alice In Wonderland” (2010), “Beetlejuice” (1988) and “Charlie and The Chocolate Factory” (2005).
The characteristics of these features engage a cartoon – like live action environment inhabiting quirky characters and peculiar storylines: “As in each of
Mr. Burton’s films, the production design is the central good idea, perhaps
even the sole one” (Janet Maslin, 1990). In “Edward Scissorhands” (1990) Burton displays great imagination as
well as a heavy contrast – we are presented to a sweet, small town filled with
pastel coloured homes and perfect yards (seen in Fig 2), humble neighbours and orderly regimes;
on the other hand, the complete opposite towers overs the small population in
the form of a large, dark and mysterious mansion which is placed upon a tall
mountain (seen in Fig 3). Much like Roger Ebert describes, “Burton uses special effects and
visual tricks to create sights that have never been seen before” (Ebert, 1990)
many of the special effects used creates an enticing environment and
interesting shenanigans during the course of this film.
Fig 3: In contrast - Edwards mansion |
After viewing the film, a noticeable relationship with
Robert Wiene’s “Das Cabinet des Dr.
Caligari” (1920) and “Edward
Scissorhands” (1990) are the similar, eccentric scenery plus the odd, peculiar
character that is Edward, who is comparable to Cesare – quiet, dark, strange
and interesting. “Edward Scissorhands” (1990)
also goes hand in hand with Jean Cocteau’s “La
Belle et la Bete” (1946), as Edward (seen as the “beast”) and Kim (seen as
the “beauty”) slowly fall in love.
Fig 4: Edward using his talent to cut Peg's hair. |
After the viewers are settled into the humble town, we see
Peg (Dianne Wiest, seen in Fig 4) venture to the untouched mansion, pondering is anyone is
there. Outside, there are bush sculptures by Edward, and here Janet Maslin
describes: “He (Edward) uses his extraordinary gifts to create magical artworks
that, he imagines, no one will ever see.” (Maslin, 1990)
Upon meeting Edward,
Peg is initially alarmed, however, Peter Travers explains “her maternal
instincts are soon aroused” (Travers, 1990) and she takes him home to lovingly
look after him. Soon, the neighborhood quickly learns of the new guest and are intrigued to meet him. After a spontaneous barbeque, the townspeople meet
Edward and are interested in him, meanwhile the women feed and spoil him. By
this time, his bush sculptures have become very popular, and he begins to cut
the peoples hair.
Upon meeting Peg’s daughter Kim (played by Winona Ryder),
Scissorhands quickly falls in love, but knows that his strange appearance and
scissors for hands will prevent him from getting close to her. Gradually, after
accidents and cutting people, the townspeople turn against Edward : “Burton
shows how the townspeople’s curiosity about Edward turns to suspicion and
hostility” (Peter Travers, 1990). In a high tension ending, a quarrel between
Peg’s now ex-boyfriend Jim (Anthony Hall) attempts to kill Edward (who has
since retreated to the mansion) then pierces Jim's chest and kills him instead.
Edward is once again alone in the mansion, and Kim tells the townspeople that
Edward is dead. However, revealed at the end, an older Kim explains to her assumed granddaughter, that she knows
Scissorhands is very much alive, since it never used to snow before he was
around.
Fig 5: Edwards creator who was about to give him human like hands. |
Notable iconic scenes include the artistic way in which
Kim dances in the “snow” Edward creates – the slow motion movement of the
camera gives us a sense of happiness, relaxation and seeing this character be
contempt; the portrayal of Edward who throughout the movie is mostly kind, gentle
and polite, scraping his scissor hands across the walls in anger, and chopping
off the “normal” clothes he has been placed in. This can be seen as Edward also
being covered up to look normal, but underneath he is very different to the
regular townspeople; and the moving hug between Kim and Edward (seen in Fig 6 below), as usually he
cannot touch or fully embrace with his scissor hands.
Fig 6: Edward and Kim embrace |
This film induces an array of emotions, ranging from fear, suspense and tension, to happiness, slapstick amusement and a compelling story.
A large portion of these emotions are evoked through the powerful music that
plays throughout – gentle, choir music during relaxing scenes, and loud, string
orchestra low tone music that plays during high tension scenes.
Truly a magical film, “Edward
Scissorhands” (1990) is one not
to be missed.
Bibliography
Ebert, R. December 14, 1990. Edward Scissorhands, rogerebert.com, (Accessed on 03/11/15) http://www.rogerebert.com/reviews/edward-scissorhands-1990
Maslin, J. December 7, 1990. Movie Review - Edward Scissorhands (1990), nytimes.com, (Accessed on 03/11/15) http://www.nytimes.com/movie/review?res=9C0CE2D81338F934A35751C1A966958260
Travers, P. December 14, 1990. Edward Scissorhands, rollingstones.com, (Accessed on 03/11/15) http://www.rollingstone.com/movies/reviews/edward-scissorhands-19901214
Illustration List
Fig 1: "Edward Scissorhands film poster" (Accessed on 03/11/15)
Fig 2: "The pastel town" (Accessed on 03/11/15) https://designingforhumanbehavior.files.wordpress.com/2009/09/33160_512x288_generated__zovyylehhuiy-69fcuk-q.jpg
Fig 3: "In contrast - Edward's mansion" (Accessed on 03/11/15) https://hollywoodshtick.files.wordpress.com/2010/12/600full-edward-scissorhands-screenshot.jpg
Fig 4: "Edward using his talent to cut Peg's hair" (Accessed on 03/11/15) https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW0IBlnW7QfjX6Uthzn6girFWtFiV9zzEPaPfFh5-E7fWA2b03sdG4Sh5cO9BFc16yO_Hb9CifDFeu6Xj34Ec8bFofmRpFF90TfGJgiFZk3-LL0S3l6KpliPstKmQCRwPLe1evGLNHpzE/s800/Edward-Scissorhands-edward-scissorhands-5049182-852-480.jpg
Fig 5: "Edwards creator who was about to give him human like hands" (Accessed on 03/11/15) http://91.207.61.14/m/uploads/v_p_images/1990/12/7496_12_screenshot.png
Fig 6: "Edward and Kim embrace" (Accessed on 03/11/15) https://carlosnightman.files.wordpress.com/2010/06/edward_scissorhands12.jpg
Another interesting review Manisha... just don't forget to italicise your quotes!
ReplyDeleteAlso, be careful of your spellings (and relying on spell check) - you say, '...a sense of happiness, relaxation and seeing this character be contempt' when I assume you mean 'content' ?